August 21, 2008
Saving Abel :: Saving Abel
Virgin records
CD Review and Bio
CD Review by Debra Stocker
Photos by Jeff Forney
Ever get your hands on a CD that “knocks your socks off”? And doesn’t sound like all the rest out there? Or better yet, an album on which each song doesn’t sound like the one you just heard? Then you must already have SAVING ABEL in your CD collection!
Rising from the rest, SAVING ABEL hails from Corinth, Mississippi, and is PURE ROCK! Continuing to climb the record charts with “Addicted,” the band’s first single, it not only seems to be America’s favorite but a favorite of all ages on MySpace. And that’s where I found SAVING ABEL.
SAVING ABEL have mastered the talent for writing catchy songs with compelling lyrics. Powered by Jared Weeks on lead vocals, the lyrics will draw you in. But the talent doesn’t stop there, and true musicianship is what you’ll hear next with Jason Null - guitars, Scott Bartlett - guitar, Eric Taylor - bass and Blake Dixon on drums. All together SAVING ABEL puts the “ROCK” back in rock music.
All the songs have heart, but there is one titled “Beautiful Day” that’s a true ballad that will pull on your heart strings. Impressed am I, hell yeah! It takes a lot to knock my socks off! I’m still not sure why the band calls themselves SAVING ABEL or where that stems from. But Saving Abel is worth “saving” and adding to your CD collection today!
HIGHLY RECOMMENDED
Biography
Jared Weeks-Vocals
Jason Null-Guitars
Scott Bartlett-Guitars
Eric Taylor-Bass
Blake Dixon-Drums
“You know when you hear a song on the radio and you don’t know who it is, but you love it and feel like you’ve heard it before? That’s our band! The first time someone hears us, they go, ‘I know that band!’ Then someone explains, ‘no, it’s a brand-new song and band.’ Saving Abel has an accessible and comfortable sound - you HAVE heard us before,” states lead singer Jared Weeks. On their self-titled Virgin Records debut, songs range from the wild road tale in “New Tattoo” to the sexual innuendos of the aptly titled first single, “Addicted.”
Weeks and Jason Null formed the band in their small hometown of Corinth, Mississippi in 2004. They met when Weeks, who was in a band, was playing guitar at his best friend’s house, when Null, who was in a rival local group, walked in to rehearse with his band. Within days of that meeting, Null and Weeks were writing and honing the intimate writing style that now defines Saving Abel. In early 2005, the pair’s songs caught the ear of noted producer Skidd Mills (12 Stones, Saliva, Submersed), who took the band into his 747 Studios in Memphis. Mills notes, “It was ‘18 Days’ that hooked me. The first time I heard it I was like, ‘these guys are the real deal; they’ll be doing this for a long time.’ Jason and Jared have always understood that the most important part of the music business is having great songs.”
Saving Abel gradually came together in the final electric lineup of guitarist Scott Bartlett, bassist Eric Taylor, and drummer Blake Dixon, and the band paid its dues both onstage and off. Weeks would toss Saving Abel demos onto the stage when bigger bands played in town, and between playing gigs, working day jobs, and Weeks and Null constantly driving from Mississippi to Memphis to record their self-titled EP with Mills, it was a busy and prolific couple years. Weeks remembers; “I used to work at a
hospital. I’d have to be there at 4:30 in the morning drawing blood. I’d wake people up and stick a needle in their arm. I’d be walking around the hospital, singing ‘Addicted’ in my head, writing down the lyrics on patients’ clipboards and doctor script pads.”
Null and Weeks bring in differing songwriting approaches influences, giving Saving Abel a well-rounded sound. Null comes from a musical family, and recalls Saturday nights at the local community center as a child. “We didn’t miss it, ever! It was bluegrass band after bluegrass band. We’d hoot and holler, as we used to say. My brother traded my bike for a guitar for me when I was 6, and I learned ‘Johnny B. Goode’ that night! I go back to Willie and Waylon, but as a kid of the ‘80s, I also love Metallica. Also, Angus Young is one of my main influences, as well as the guitar sound and solos of Seattle bands like Soundgarden and Alice in Chains.” For his part, a teenage Weeks played basketball and went to state twice in tennis before music consumed his life. A big fan of the blues and Southern Rock, Weeks calls himself the more “literal” songwriter of the two, explaining, “If something is really bothering me, or how I’m feeling at that moment, I’ll write about it. For me to get the most out of a song, I have to get it almost to the point I’m ready to cry if I can’t get it out, and that makes people relate to it.”
After shopping their indie EP for almost a year, a copy of ‘Addicted’ found its way to one-time Virgin A&R Consultant Scott Frazier and manager partner Rick Smith. They were so excited that they sent the song to the label’s Chairman/CEO Jason Flom. Flom was impressed upon first listen and immediately sent A&R vet Kim Stephens (Collective Soul, Matchbox 20, Edwin McCain) to see the band in Jackson, Tennessee. The band was signed the next day. Says Stephens, “I was sold on the merit of the songs and instantly recognized this was a band with huge potential.”
Saving Abel, the Virgin debut produced by Mills, features mostly brand-new tunes, plus a few favorites from the indie EP, including the poignant, perfectly crafted “18 Days,” “Running From You,” and “Drowning Face Down.” Null explains that “18 Days” was lyrically inspired by sheriff Buford Pusser of ‘Walking Tall’ fame, while laughingly admitting that the rowdy road trip in “New Tattoo” (“The blue is for the bruise you left in my heart / and the red is for the color we’re about to paint this town”) is “based on a true story.” Null furthers: “Our goals are always to concentrate on the song, not just one cool part to make a kid bop his head. Every person I talk to loves a different song of ours.” Null was also the one who gave the band its name: “I Googled the story of Cain and Abel and found a line about ‘there was no Saving Abel,’ which just jumped out at me.” Everyone agreed and the name stuck… much like Saving Abel's songs get instantly stuck in the minds and ears of everyone who hears them. With a radio-ready sound combining big riffs and memorable melodies, Saving Abel has created a polished combination of Southern and Alternative rock… 2008 style. Get Addicted. Get Saving Abel.



























