Is it possible for the “trendy” movement of emo-meets-hardcore to evolve into something more lasting? While genres of death metal, alt pop and hardcore music will likely continue just as they are, the fusions known as “screamo” hasn’t been exactly considered a sure bet for longstanding survival. Fortunately for the entire genre, there is at least one band composing music that already demonstrates a better shot at both respectability and life – particularly when compared to what’s been pumped out for several years now.
Eyes Set To Kill is indeed a young band, but the Arizona quintet isn’t your run-of-the-mill formation that can’t decide whether to be punishing metalcore or melancholy alt-pop. Based on their latest offering, Reach, they seem to have a fairly concise direction. The target is upward, and natural changes and ripples along the journey – scaling down from a six-piece to five for example - are simply adapted to.
ESTK is, for all intent and purpose, still a female-lead band, but the dual male/female vocals are the first of nice touches. Two girls and three guys, all of which bring in nuances of their respective musical tastes and influences. That said, the album still doesn’t suffer from “overkill” of multiple influences, instead meshing rather well.
The musical flavor is post-emo melody underscored by the punctuation of heavy metal. Additionally, the vocals are complimenting, not competing. Guitarist/vocalist Alexia Rodriguez’s voice is beautiful and penetrating - the latter quality being principally evident in many of the more “personal” lyrics. Keyboardist/screamer Brandon Anderson’s roars aren’t bloodcurdling per se, but rather a striking and highly effective tool when applied appropriately. For comparison purposes, think of an overall vibe combining elements of Veruca Salt, As I Lay Dying and a few others.
Twelve songs make up the content of Reach. Some lean more towards an aggressive side, such as “Violent Kiss”, and others, like the title track, certainly embody the catchy, occasionally haunting and ethereal tone that beckons commercial airplay. Incorporating piano and acoustic guitar at select moments also furthers the dynamic appeal of the album.
All things considered, Reach strikes a balance between underground and mainstream worlds – without sacrificing the art of it all during the process. In short, this group understands there is a difference between “music” and just plain “noise.”
